Description

Formed in the early 1990s, Orbital was the brainchild of the English brothers Phil and Paul Hartnoll. Drawn from a wildly diverse set of influences, ranging from disco to hardcore, Orbital's style broke free from dance music conventions. It is rich and complex enough to reward repeated listens, yet as compulsively danceable as the most single-mindedly groovy club music.

Biography

This UK techno outfit have done much to deliver the possibilities of improvisation to live electronic music. Unlike many other techno acts their stage performances do not depend on DAT or backing tapes. They also use more varied samples than is the norm, including sources as diverse as the Butthole Surfers on "Satan" and Crass on "Choice". Comprising brothers Paul Hartnoll (b. 19 May 1968, Dartford, Kent, England) and Phillip Hartnoll (b. 9 January 1964, Dartford, Kent, England), the Orbital name was first suggested by their friend Chris Daly of the Tufty Club. With several "M25" rave parties happening so close to their homes in Dunton Green, they named themselves after the London's "orbital" motor way, which encircles the capital and became known as the "Magic Roundabout" to ravers at the time. Before the band began its active life in 1987, Paul had played with an outfit by the name of Noddy And The Satellites as well as doing labouring odd jobs, while his brother had been a bricklayer and barman.
Orbital made their live debut in the summer of 1989 at the Grasshopper, Westerham, Kent, joining the ffrr Records imprint shortly afterwards. They opened their account for the label with the UK Top 20 single "Chime" in March 1990 (the track had already been released the previous December in a limited pressing on the Oh Zone imprint), setting a pattern for a sequence of dramatic, one-word titles ("Omen", "Satan", "Mutations", "Radiccio"). Their remixing chores included work on releases by artists as diverse as the Shamen, Queen Latifah, Meat Beat Manifesto and EMF. Their first two albums, both untitled, were subsequently referred to as the "Green Album" and the "Brown Album'. Both showcased their ability to sustain a musical dynamic over a full-length album, a rare ability within their field, which saw them bracketed alongside artists such as Underworld and the Orb. In 1994, they appeared as headliners at the Glastonbury Festival and contributed to the Shopping soundtrack. The appearance at Glastonbury was a significant success, proving to sceptics that dance music could be exciting to watch live. An enduring image was that of the Hartnolls, shrouded in darkness, with only the twin torches attached to their temples like car headlights piercing the gloom. They also released Snivilisation, a largely instrumental political concept album which was successful on both a musical and thematic level and broke into the UK Top 5. Meanwhile, their live work earned them an award for Best Live Show at the New Musical Express" BRAT Awards as they made a triumphant return to Glastonbury in 1995. In the same year, they completed a remix of Madonna's "Bedtime Stories" and donated the track "Adnan" to the Help album project for the War Child charity to aid Bosnian refugees.
If previous albums had always hinted at a cinematic bent, 1996's "The Box" was a fully fledged film soundtrack - comprising four distinct movements with vocal versions by lyricist Grant Fulton and Alison Goldfrapp (later to record as Goldfrapp). The film itself was Orbital's own exploration of science-fiction adventurism, ironically filmed in the highly terrestrial environs of Milton Keynes. It was followed by the release of Orbital's fourth studio album. The exquisitely dense rhythms on the six tracks that comprised In Sides emphasized the duo's critically acclaimed accommodation of the experimental with the accessible. It included tracks such as "The Girl With The Sun In Her Head", recorded using solar power as a reaffirmation of their environmental standing. Having first experimented with the use of film soundtracks on Snivilisation, they reworked the theme of The Saint for the movie remake of the cult 60s television programme. Despite starring Val Kilmer, the movie was not a great critical or commercial success but the single gave Orbital a UK number 3 hit. They also appeared at the UK festivals Tribal Gathering, Phoenix and in the USA on the Lollapalooza tour.
After completing further soundtrack work, the Hartnoll released a new studio album in April 1999. The Middle Of Nowhere marked a return to a more "danceable" sound and was warmly received by both dance and rock writers. The duo's sixth studio set, The Altogether, drew on a diverse range of influences from the dance and pop worlds but failed to match the majestic coherence of their best work. After completing work on the soundtrack to Octane, the Hartnolls announced the next Orbital album would be their final recording. Blue Album duly arrived in summer 2004 and was supported by the duo's final live shows.
DISCOGRAPHY: Untitled 1 (Internal/ffrr 1991)***, Untitled 2 (Internal/ffrr 1993)****, Peel Session (Internal/ffrr 1994)***, Snivilisation (Internal/ffrr 1994)****, In Sides (London/ffrr 1996)****, with Michael Kamen Event Horizon film soundtrack (London 1997)**, The Middle Of Nowhere (ffrr/PolyGram 1999)****, The Altogether (ffrr 2001)***, Octane film soundtrack (EMI 2003)***, Blue Album (Hti 2004)***.
COMPILATIONS: Works 1989-2002 (ffrr 2002)****, Back To Mine (DMC 2002)***.
VIDEOGRAPHY: The Altogether (Warner Vision 2001).

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