Led by Black Francis (AKA Charles Thompson), this Boston band reveled in the raw, loud energy of punk, but harnessed it in service of catchy melodies laced with bizarre lyrics. Their 1989 album, DOOLITTLE, is widely considered to be one of the best a…

In the early 1990s, Polly Jean Harvey's music was a bracing post-punk battle cry, staking out new territory for female alt-rock artists without resorting to didactic feminism. Over time, Harvey has grown more subtle and moody, embracing a more expans…

Inaugurators of the "lo-fi" alternative rock sound, Pavement set the course for college rock in the 1990s. Their skewed, shambolic guitar pop, slacker vocals, and dense wordplay endeared them to those disenchanted by lumpen grunge sounds. Over time, …

The Twilight Singers was the side-project Greg Dulli (b. 11 May 1965, Ohio, USA) turned to when his former band, the highly rated Afghan Whigs, ground to a halt in early 2001. During the course of their career, the Afghan Whigs had moved away from th…

Drawing equally from punk rock and new-music pioneers such as John Cage and Glenn Branca (whom guitarists Thurston Moore and Lee Renaldo both played with), Sonic Youth employed a palette of white noise that deconstructed punk-rock orthodoxy into radi…

This Athens band's initial mix of Velvet Underground strum, Byrds-like Rickenbacker jangle, and charismatically oblique singing, became the sound of the 1980s as legions of bands followed suit. But even as imitators codified R.E.M.'s approach into th…